Imre kiralfy biography wikipedia

Imre Kiralfy and Bolossy Kiralfy were highly influential burlesque and spectacle producers in Europe and the United States toward the end of the 19th century. The brothers paved the way for many of our modern day spectacles. The brothers had a long and successful partnership and even continued to have success in their individual careers.

From folk dancing in Europe to directing and producing in the United States, the Kiralfys spent their lives astounding audiences with unseen visual phenomenon and were never afraid to push the boundaries earning them a special place in entertainment history. When they were young children, Imre and Bolossy began to teach themselves to dance.

They continued for years until their father caught them and promptly enrolled them in dance classes.

Imre Kiralfy and Bolossy Kiralfy were highly influential burlesque and spectacle producers in Europe and the United States toward the end of the 19th century.

They gave up their clothing business to take the brothers on tour through Europe. The Kiralfy family motto was "All the World's a Stage. Only their brother Ronald was uninterested in dance. As teenagers in the s, Bolossy and Imre travelled to Paris, where they were immediately taken with theatrical spectacle. Real musical theatre had to be popular theatre, attracting an audience from all segments of society.

It had to embody in logical form all aspects of the theatre — music, lyrics, dance and drama — in a production that was usually greater than the sum of its parts. It had to have a meaningful story with a universal theme, and it had to have a hero or heroine with whom the audience could sympathize. Imre and Bolossy both trained at the Opera Ballet but they refused to become permanent performers.

Imre Kiralfy, auch Imre Konigsbaum, (* 1.

There is no question that in Paris I acquired my training, not only in the finest Ballet technique from Monsieur Barres, but in the areas of production and management. The presentations at the Theatre Francais taught me dramatic staging. My experience at the Theatre de la Porte-Saint-Martin and at the Chatelet gave me the ability to produce big spectacular numbers.