Where was alexander fleming born

This article first appeared in the October issue of Universitas. Since an early age, Paul Dumol has known the consequences of creativity. Dumol has felt the joy of success and the pressure of trying to surpass himself. A proof of that effort was Ang Paglilitis ni Mang Serapio , whose first production in was directed by the playwright himself and which has become one of the most-performed plays in Philippine theater.

After devoting almost five years to academics, did he have any difficulty bringing another play to the stage?

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This was much easier than having to write a play from scratch, where, to do which, I have to figure everything out — from the plot, the narrative, the dialogue, and so on. In writing a play like Texto , the respect for facts is his foremost consideration. He uses the language for practical reasons. Dumol has made complicated decisions related to his art.

In , he removed Kabesang Tales from production, fearing the play might be seen as a critique of friars in 19th-century Philippines instead of the real issue: the administration of justice. When I die, certainly, it will be there for everybody to stage as often as they might want to. When asked what he thinks about the current Philippine theater scene, he playwright weighs his response.

And he cites a problem: the lack of awareness of Metro Manila audiences about plays and musicals written and produced by Filipinos.

Alexander fleming biography pdf

For a theatergoer in the metropolis, watching a play usually means having to suffer the inconvenience of traffic. For theater groups, generating interest among potential audiences means spending on promotions, not to mention finding accessible venues. This freshness can be discovered not by a playwright alone but by any artist through a careful consideration of his experiences and that of others, sifted through his heart and mind.

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